Saida Agostini's “let the dead in” Featured in Ms. Magazine
Saida Agostini's debut collection of poems receives a glowing recommendation from Ms. Magazine in three words: "Mythology, ancestry, triumph."

Popular American feminist megazine, Ms. Magazine, shouts out Saida Agostini's much raved about new collection of poems in a listicle posted on April 20th entitled "Poetry for the Rest of Us 2022." With three words, "Mythology, Ancestry, Triumph" Ms. places Agostini's let the dead in among recent poetry standouts like Salmas Sharif's Customs and Aurielle Marie's Gumbo Ya Ya. Ms. Magazine has a long history of supporting female-identifying artists and the editor's whole-hearted support for Agostini's latest is welcome and merited.
Saida Agostini’s first full-length poetry collection, let the dead in, is an exploration of the mythologies that seek to subjugate Black bodies, and the counter-stories that reject such subjugation. Audacious, sensual, and grieving, this work explores how Black women harness the fantastic to craft their own road to freedom. A journey across Guyana, London, and the United States, it is a meditation on black womanhood, queerness, the legacy of colonization, and pleasure. These poems craft a creation story fat with love, queerness, mermaids, and blackness.
Read a poem from let the dead in Here, watch her discuss ltdi Here, and order your copy Here
The American Scholar features Grace Cavalieri’s “Work Is My Secret Lover”
In this audio-only feature, the Maryland Poet Laureate’s poem is read by Amanda Holmes of The American Scholar
Saida Agostini is Torch Literary Arts Featured Artist of July
Torch Literary Arts, a non-profit literary organization with the goal of raising the creative voices of black women writers, has selected Saida Agostini as their featured artist of July.
LET THE DEAD IN Receives Glowing Review in Lightwood Press #10
“Agostini’s socially and spiritually aware poetry collection ‘Let the Dead In’ focuses on the duality between love and hate along with the way that these concepts integrate and clash”