Saida Agostini's “let the dead in” Featured in Ms. Magazine
Saida Agostini's debut collection of poems receives a glowing recommendation from Ms. Magazine in three words: "Mythology, ancestry, triumph."
Popular American feminist megazine, Ms. Magazine, shouts out Saida Agostini's much raved about new collection of poems in a listicle posted on April 20th entitled "Poetry for the Rest of Us 2022." With three words, "Mythology, Ancestry, Triumph" Ms. places Agostini's let the dead in among recent poetry standouts like Salmas Sharif's Customs and Aurielle Marie's Gumbo Ya Ya. Ms. Magazine has a long history of supporting female-identifying artists and the editor's whole-hearted support for Agostini's latest is welcome and merited.
Saida Agostini’s first full-length poetry collection, let the dead in, is an exploration of the mythologies that seek to subjugate Black bodies, and the counter-stories that reject such subjugation. Audacious, sensual, and grieving, this work explores how Black women harness the fantastic to craft their own road to freedom. A journey across Guyana, London, and the United States, it is a meditation on black womanhood, queerness, the legacy of colonization, and pleasure. These poems craft a creation story fat with love, queerness, mermaids, and blackness.
The full title of James J. Patterson’s new essay which appears in Nexus: The International Henry Miller Journal is “Throwing in the Tao: Henry Miller as Life Coach, Literary Instructor, and Spiritual Guide”
Poet and critic, Joseph Ross, tackles the wrinkles and crevasses of Saida Agostini’s maverick debut poetry collection, let the dead in.
Saida Agostini’s “An Incomplete Legend on Love” first appears in her debut poetry collection let the dead in. Perugia Press, who is doing a feature on exceptional, emerging BIWOC poets and artists, have republished “An Incomplete Legend on Love” on their website, featuring a bio of Agostini and information on let the dead in.