Saida Agostini's “let the dead in” Featured in Ms. Magazine
Saida Agostini's debut collection of poems receives a glowing recommendation from Ms. Magazine in three words: "Mythology, ancestry, triumph."
Popular American feminist megazine, Ms. Magazine, shouts out Saida Agostini's much raved about new collection of poems in a listicle posted on April 20th entitled "Poetry for the Rest of Us 2022." With three words, "Mythology, Ancestry, Triumph" Ms. places Agostini's let the dead in among recent poetry standouts like Salmas Sharif's Customs and Aurielle Marie's Gumbo Ya Ya. Ms. Magazine has a long history of supporting female-identifying artists and the editor's whole-hearted support for Agostini's latest is welcome and merited.
Saida Agostini’s first full-length poetry collection, let the dead in, is an exploration of the mythologies that seek to subjugate Black bodies, and the counter-stories that reject such subjugation. Audacious, sensual, and grieving, this work explores how Black women harness the fantastic to craft their own road to freedom. A journey across Guyana, London, and the United States, it is a meditation on black womanhood, queerness, the legacy of colonization, and pleasure. These poems craft a creation story fat with love, queerness, mermaids, and blackness.
Read a poem from let the dead in Here, watch her discuss ltdi Here, and order your copy Here
The Prologue of “That Paris Year” is POETRY
Rethink your definition of poetry, Joanna Biggar’s prologue to her first novel, “That Paris Year” is a stunning vision of California and the city of love
MLK Video: Reuben Jackson narrates “March” by John Lewis and Andrew Aydin
MLK Video: Reuben Jackson narrates “March” by John Lewis and Andrew Aydin Hear Reuben Jackson narrate from “March: Book One” in honor of MLK day. If the video is not […]
Reuben Jackson Narrating Graphic Novel “March” for MLK inspired Concert
In-house ASP wordsmith and noted Jazz Scholar, Reuben Jackson, will be narrating March: Book One, written in part by sitting Congressman and civil rights leader John Lewis, for the Vermont Youth Orchestra’s celebratory performance of Duke Ellington’s Three Black Kings (which includes an ode to MLK) and Antonin Dvorak’s New World Symphony (which takes inspiration from African American spirituals).