Elizabeth Hazen Essay Lands in Coachella Review
Elizabeth Hazen's new essay "Click Here to Relive This Memory" explores the warmth and the chill of nostalgia
" The future brims with uncertainty and violence and harsh colors; it is no surprise that we prefer looking back," writes Elizabeth Hazen in her new essay that contends with a societal and personal obsession with nostalgia. In the course of her essay, she charts her life as a young child devouring handfuls of cereal in front of Saturday morning cartoons, to a young mother mired in a failing marriage, to the struggles and successes of today. Read an excerpt below:
In my inbox, I find the weekly message from Shutterfly: “Your memories from X number of years ago this week.” One click and there is my son, toothless and grinning, face smeared with sweet potato puree. There is a house I no longer inhabit, friends I no longer know, a self I no longer know, a life to which I can never return. The link, “Relive this memory,” a tempting lie.
If I really think about it, though, I must acknowledge the angst and uncertainty of my twenties and thirties, the self-destructive patterns I did not yet recognize, the insecurities that stifled my voice. My nostalgia fades ultimately into more honest reflection on the past, and I fix on what might be a lesson in all this looking back: one day, I will long for the moment I am in right now. I remind myself to pay attention, to savor what I can.
Sometimes I think that, through memory, we build armor, adding layer upon layer like expanding Russian dolls. I see my son’s face hardening, his defenses stronger, and his actions more careful and strategic than they were even a month ago. Sometimes I think the opposite; memory strips us away, like birch bark in a storm, or onion skin, revealing more vulnerable interiors. His face as the Pink Panther dumps laundry soap into the machine, the way his voice changes when he exclaims over pictures of the cat. Likely, it is both, some memories serving to strengthen us and others allowing us to let down our guards and become, if only for a moment, who we once were.
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Remembering W.S. Merwin: Grace Cavalieri’s Two Interviews with the Literary Giant
In 2000, the bicentennial of the Library of Congress, four Poets Laureate were appointed just for the occasion. The four dignitaries were W.S. Merwin, Robert Pinsky, Rita Dove, and Louise Gluck. I was to record one after the other for 4 hours. That first meeting with Merwin was unforgettable, as he arrived for an hour interview without so much as one poem in his hands. Fortunately, I had brought ten books for his signature and we puzzled our way through. He was delighted to recognize some of his first slim published volumes that were out of print, as well as a few collector’s items.