LET THE DEAD IN Receives Glowing Review in Lightwood Press #10
"Agostini’s socially and spiritually aware poetry collection 'Let the Dead In' focuses on the duality between love and hate along with the way that these concepts integrate and clash"
Poet Robyn Hager reviews Saida Agostini's daring first collection let the dead in in the 10th edition of Lightwood. In her review, Hager praises Agostini's social and spiritual awareness as she contends with the violence and oppression facing black people in the United States. Below, read a small excerpt. Read the entire review in Lightwood's new issue here. Order let the dead in here.
Agostini successfully juxtaposes stark images from her life with deeply entrancing metaphors, and most poignantly in her poem "what love is" she compares the images of turmoil she witnesses between her parents with a dead buck on the side of the road whose
flesh ripped/exposing a dark black machine/so soft, stinking and fragile that years/later you’ll remember the risk of loving/something that wild
The author’s ability to display these powerful, and sometimes gruesome, epithets about life shines through in the entirety of her collection.
Episode 15 of LFTRR Examines Kickass Female Characters in Three Novels
James J. Patterson extends his string of excellent episodes concerning women writers of literature. On this, the fifteenth(!) episode of LFTRR, he looks at three contemporary novels dear to his heart, all of which feature strong-willed female characters.
Elizabeth Hazen on (Blog) Tour: A Look Back at GIRLS LIKE US Blog Tour
Blog Tours have become a necessity for many in the age of C19. A look back at Elizabeth Hazen’s blog tour for her recent collection “Girls Like Us.”
Rose Solari Opens up about Publishing and Writing in the era of COVID 19
Kathy Rampsberger conducts this honest and intimate interview with Rose Solari, covering topics in art and publishing which are relevnt to now.