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Home / home / LET THE DEAD IN Receives Glowing Review in Lightwood Press #10

Jun 29 2022

LET THE DEAD IN Receives Glowing Review in Lightwood Press #10

"Agostini’s socially and spiritually aware poetry collection 'Let the Dead In' focuses on the duality between love and hate along with the way that these concepts integrate and clash"

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Poet Robyn Hager reviews Saida Agostini's daring first collection let the dead in in the 10th edition of Lightwood. In her review, Hager praises Agostini's social and spiritual awareness as she contends with the violence and oppression facing black people in the United States. Below, read a small excerpt. Read the entire review in Lightwood's new issue here. Order let the dead in here.

Agostini successfully juxtaposes stark images from her life with deeply entrancing metaphors, and most poignantly in her poem "what love is" she compares the images of turmoil she witnesses between her parents with a dead buck on the side of the road whose

flesh ripped/exposing a dark black machine/so soft, stinking and fragile that years/later you’ll remember the risk of loving/something that wild

The author’s ability to display these powerful, and sometimes gruesome, epithets about life shines through in the entirety of her collection.

Read the full review Order let the dead in

Max Barton’s Picks for National Poetry Month (Week 2)

April 10, 2019

We asked Max Barton, ASP Gopher and the present author, for his National Poetry Month picks. He recommends specifically the poem, “Home Burial”, as one of immense value.

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Off the Cuff: Rose Solari’s Keys to Writing Success

April 9, 2019

ASP’s Rose Solari sits down with Youtube content creator and Brain Hackers Magazine CEO, Dave Farrow, to discuss what it takes to be a successful poet and author.

Elizabeth Hazen’s Picks for National Poetry Month (Week 2)

April 8, 2019

Elizabeth Hazen’s Picks for National Poetry Month (Week 2) We asked poet, Elizabeth Hazen, for three poems she’d like to seen celebrated this National Poetry Month. And she chose three […]

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