Saida Agostini is Torch literary Arts Featured Artist of July
Torch Literary Arts, a non-profit literary organization with the goal of raising the creative voices of black women writers, has selected Saida Agostini as their featured artist of July. Included in the feature is a sampling of her work and a substantive interview with Saida. Read the entire feature here and find an excerpt of the interview below.
Saida Agostini is a queer Afro-Guyanese poet whose work explores the ways Black folks harness mythology to enter the fantastic. Her first full-length poetry collection, let the dead in, is an exploration of the mythologies that seek to subjugate Black bodies, and the counter-stories that reject such subjugation. You can pick up a copy of let the dead in wherever you buy books, or check out our dedicated shop here
Excerpt from Torch's interview with Saida Agostini
Your writing is rich with images of desire and love but also leans into the realities of pain and injustice. How do these subjects influence your work?
Our bodies were built for pleasure. What a miracle of atoms. I think one of the prevailing tragedies of misogynoir and capitalism is that we as Black folks are constantly pushed to be divorced from our physicality and pleasure. Audre Lorde defines the erotic as a measure between the beginnings of our sense of self and the chaos of our strongest feelings. We have a right to our etiology, our chaos, our power. I want us to know the full scope of our power, and the history of it, what it took, what it continues to take to survive this beast called America. My work seeks to recount these histories, and offer a full-throated vision of Black freedom where our pleasure is never denied.
A Stirring Tribute: Carmen Nickerson reads Solari’s “Meditation for my Country” During 9/11 Concert
Accomplished singer-songwriter Carmen Nickerson and pianist Kostia Efimov provide an intimate, acoustic set as part of the No Studios unplugged series.
At approximately 42 minutes into the set, Nickerson pauses to acknowledge the date – September 11th – and pulls out a sheet of paper. The poem she reads is Rose Solar’s “Meditation for my Country.”
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Miles Liss, who recently graduated with an MFA in poetry from Vermont College of Fine Arts, reflects on his time taking classes under maestro Reuben Jackson in this short essay.