Saida Agostini is Torch literary Arts Featured Artist of July
Torch Literary Arts, a non-profit literary organization with the goal of raising the creative voices of black women writers, has selected Saida Agostini as their featured artist of July. Included in the feature is a sampling of her work and a substantive interview with Saida. Read the entire feature here and find an excerpt of the interview below.
Saida Agostini is a queer Afro-Guyanese poet whose work explores the ways Black folks harness mythology to enter the fantastic. Her first full-length poetry collection, let the dead in, is an exploration of the mythologies that seek to subjugate Black bodies, and the counter-stories that reject such subjugation. You can pick up a copy of let the dead in wherever you buy books, or check out our dedicated shop here
Excerpt from Torch's interview with Saida Agostini
Your writing is rich with images of desire and love but also leans into the realities of pain and injustice. How do these subjects influence your work?
Our bodies were built for pleasure. What a miracle of atoms. I think one of the prevailing tragedies of misogynoir and capitalism is that we as Black folks are constantly pushed to be divorced from our physicality and pleasure. Audre Lorde defines the erotic as a measure between the beginnings of our sense of self and the chaos of our strongest feelings. We have a right to our etiology, our chaos, our power. I want us to know the full scope of our power, and the history of it, what it took, what it continues to take to survive this beast called America. My work seeks to recount these histories, and offer a full-throated vision of Black freedom where our pleasure is never denied.
Small Press Week 2018: Monday, a look back at the Inception of ASP
We’d been talking about founding a press for a few years. I was becoming increasingly frustrated and angry about what was happening to some of the books I’d edited, and to some of my writer friends. Some of the books I worked on already had committed publishers, who knew my work and wanted me involved, and that’s great. But sometimes I was hired by a writer who had a publisher but knew they were not going to give the book a thorough edit – there is less and less of that going on these days, as you can see from opening even a big-name title. And I think — we think — that that is awful. If you are published by ASP, you get a thorough and very fine edit…
Featured Audio: “The Lovesick Lake,” a Story by James J Patterson
“Lovers of the personal essay should be rejoicing in the streets at word of this collection. For readers and acquaintances of Jimmy Patterson, it is long overdue, but the author was born in Washington, D.C., where the machinery of progress is congenitally slow. So this book, in many important ways – is what all satisfying collections of autobiographical essays should be – a mirror of place.” Rick Walter
Armistice Day, known in the US as Veteran’s Day, is now a work week past, but for James J Patterson it is a memory and idea that refuses to restrain itself to a 24 hour period. Yesterday we published his moving account of those veterans of The Great War he knew growing up, memorializing and contextualizing them for an audience whose experience of the war may only be through the muddy, pained faces in old photographs…
The World of Yesterday (Armistice Day, 2018)
My father always said that his first memory was of standing on the couch in his parent’s living room, small hands on the back cushion, peering out a picture widow at a neighborhood street in Bend, Oregon. There is a slow-moving line of cars and horse-drawn carriages inching its way down the lane. The line of cars is there every day, and every day he stands there and watches. His street is a long one and at the end of it is the cemetery. He is not allowed to go outside to play. Death is all anyone talks about. Death from a great flu epidemic. Death from a great war just ending. Everyone has lost someone. Most have lost a few. It is 1918…