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Home / home / The American Scholar features Grace Cavalieri’s “Work Is My Secret Lover”

Aug 04 2022

The American Scholar features Grace Cavalieri's "Work Is My Secret Lover"

In this audio-only feature, the Maryland Poet Laureate's poem is read by Amanda Holmes of The American Scholar

Work is my Secret Lover

Phi Beta Kappa's The American Scholar recently featured a beloved poem by current Maryland Poet Laureate, Grace Cavalieri. The feature is audio only and TAS' Amanda Holmes offers her vocal stylings for an introduction of Cavalieri and reading of the poem, "Work is my Secret Lover."

"Work is my Secret Lover" appears in Cavalieri's Other Voices, Other Lives part of Alan Squire Publishing's Legacy Series. Other Voices, Other Lives is a selection of poems, plays, and interviews drawn from over forty years of work by one of America’s most beloved and influential women of letters. The author of 23 books of poetry and 26 produced plays, and the founder of the legendary radio interview program, The Poet and the Poem, Grace Cavalieri has won multiple national awards for her writing and her service to literature.

Reuben Jackson Joins WPFW’s “The Sound of Surprise”

April 13, 2021

Beginning May 1st, Reuben will begin as host of DC radio channel WPFW’s “The Sound of Surprise.” The show runs from 4 to 6pm and Reuben will be alternating every other Sunday with the program’s creator, Larry Appelbaum.

A Book and Its Cover: Rose Solari Reviews Two New Collections of Poetry for WIRoB

March 31, 2021

Rose Solari’s latest review column for Washington Independent Review of Books tackles two stellar new collections by established small-press poets, Terry Ellen Cross Davis and Dan Beachy-Quick. As with all her reviews, Rose uses a common theme to link the subject matter of the books she is reviewing. This month, she explores how the cover design is mirrored by the poetry and vice versa.

New Review of Girls Like Us: GLU “Bulges with Debilitating Last Lines”

March 24, 2021

In Lannie Stabile’s new review of Elizabeth Hazen’s second collection Girls Like Us, she raves about the effect of Hazen’s “last lines.” Girls Like Us, she says, is “bulging with debilitating last lines.” Like this one in the opening poem “Devices,” that Stabile points to as like a “hook,” “We’ve been called so many things that we are not, we startle at the sound of our own names.”

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