Grace Cavalieri Interviews Poetry Superstar Ocean Vuong
Grace Cavalieri kicks off the new year and a new season of "The Poet and The Poem" with an interview of poetry superstar Ocean Vuong. From her website:
"Ocean Vuong is the author of The New York Times bestselling novel, On Earth We're Briefly Gorgeous, out from Penguin Press (2019) and forthcoming in 30 languages. A recipient of a 2019 MacArthur "Genius" Grant, he is also the author of the critically acclaimed poetry collection, Night Sky with Exit Wounds, a New York Times Top 10 Book of 2016, winner of the T.S. Eliot Prize, the Whiting Award, the Thom Gunn Award, and the Forward Prize for Best First Collection. A Ruth Lilly fellow from the Poetry Foundation, his honors include fellowships from the Lannan Foundation, the Civitella Ranieri Foundation, The Elizabeth George Foundation, The Academy of American Poets, and the Pushcart Prize."
"Vuong's writings have been featured in The Atlantic, Granta, Harpers, The Nation, New Republic, The New Yorker, The New York Times, The Village Voice, and American Poetry Review, which awarded him the Stanley Kunitz Prize for Younger Poets. Selected by Foreign Policy magazine as a 2016 100 Leading Global Thinker, Ocean was also named by BuzzFeed Books as one of "32 Essential Asian American Writers"? and has been profiled on NPR's "All Things Considered,"? PBS NewsHour, Teen Vogue, Interview, Poets & Writers, and The New Yorker."
"Born in Saigon, Vietnam, he lives in Northampton, Massachusetts, where he serves as an Associate Professor in the MFA Program for Poets and Writers at UMass-Amherst."
Remembering W.S. Merwin: Grace Cavalieri’s Two Interviews with the Literary Giant
In 2000, the bicentennial of the Library of Congress, four Poets Laureate were appointed just for the occasion. The four dignitaries were W.S. Merwin, Robert Pinsky, Rita Dove, and Louise Gluck. I was to record one after the other for 4 hours. That first meeting with Merwin was unforgettable, as he arrived for an hour interview without so much as one poem in his hands. Fortunately, I had brought ten books for his signature and we puzzled our way through. He was delighted to recognize some of his first slim published volumes that were out of print, as well as a few collector’s items.
Fiddlin’ Around in Ireland
Nothing buoys the spirits like a walk along Grafton Street. Gray day or sunny, it’s bright with noise and laughter. Loud “hellos,” babies crying, neighborly gossip, rich brogues and lilting Irish airs float up onto the breeze. Our chosen course allowed for a stroll through St. Stephen’s Green. Sunlight dappled the leafy brakes. Inspired by the moment, Lawrence liberated his fiddle and sawed out a hornpipe. He was joined in his performance by a pair of amorous ducks.
On Grafton street we were immediately surrounded by music. A couple of 9 and 10-year-old boys, Donald Reagon and Paul O’Neill, were delighting passersby with smooth moves on the fiddle and concertina. College students with shaved heads played sitars. Old men played jazz. A guitarist somewhere was plucking out George Harrison tunes and singing, “Here comes the sun, little darlin’ here comes the sun.”
On that musical street there was only one poet—a threadbare character who, for a pound or a punt (Irish pound) or nothing at all, would recite a poem by a poet of one’s choosing. I selected Yeats and was honored with “The Fiddler of Dooney”:
“When I play on my fiddle in Dooney, Folk dance like a wave of the sea . . .”
An Interview with Elizabeth Hazen, Baltimore Poet and Baker Award Finalist
Baltimore poet, Elizabeth Hazen’s first collection of poems is entitled Chaos Theories. Last week the young poet was announced as a finalists for the prestigious Baker Artist Award in literature. We sat down to talk with her about her experience in Baltimore as an artist and what programs like The Baker Awards mean to artists.