Grace Cavalieri Interviews Poetry Superstar Ocean Vuong
Grace Cavalieri kicks off the new year and a new season of "The Poet and The Poem" with an interview of poetry superstar Ocean Vuong. From her website:
"Ocean Vuong is the author of The New York Times bestselling novel, On Earth We're Briefly Gorgeous, out from Penguin Press (2019) and forthcoming in 30 languages. A recipient of a 2019 MacArthur "Genius" Grant, he is also the author of the critically acclaimed poetry collection, Night Sky with Exit Wounds, a New York Times Top 10 Book of 2016, winner of the T.S. Eliot Prize, the Whiting Award, the Thom Gunn Award, and the Forward Prize for Best First Collection. A Ruth Lilly fellow from the Poetry Foundation, his honors include fellowships from the Lannan Foundation, the Civitella Ranieri Foundation, The Elizabeth George Foundation, The Academy of American Poets, and the Pushcart Prize."
"Vuong's writings have been featured in The Atlantic, Granta, Harpers, The Nation, New Republic, The New Yorker, The New York Times, The Village Voice, and American Poetry Review, which awarded him the Stanley Kunitz Prize for Younger Poets. Selected by Foreign Policy magazine as a 2016 100 Leading Global Thinker, Ocean was also named by BuzzFeed Books as one of "32 Essential Asian American Writers"? and has been profiled on NPR's "All Things Considered,"? PBS NewsHour, Teen Vogue, Interview, Poets & Writers, and The New Yorker."
"Born in Saigon, Vietnam, he lives in Northampton, Massachusetts, where he serves as an Associate Professor in the MFA Program for Poets and Writers at UMass-Amherst."
A Great Evening at a Great Indie Bookstore (Who are the Wanderland Writers?)
Their latest book Wandering in Cuba; Revolution and Beyond features contributions from several writers detailing their adventures on the Island and the traditional Cuban heroes who have helped make the culture so rich.
Featured Audio: Rose Solari reads “The Beginning, 1939”
In “The Beginning, 1939” Rose Solari’s mastery of recitation is put to the music of her capricious mother and the frantic hopes of her father who wishes to leave “no long, tight pauses for her to fill.” I’ve written before about Rose’s use of swing and rhythmic motifs in her work, elements which are alive in this poem, but what is really mesmerizing to me about “1939” is the musical image toward the end which harbors no pretense of cramming lieder into language, but instead focuses on the very physical act of her mother playing the piano:
Mikaela Lefrak Examines the Life of Maryland Poet Laureate, Grace Cavalieri
The beloved Grace Cavalieri “contains multitudes” according to Mikaela Lefrak in her newest article from WAMU taking a look at the life and career of the 10th Poet Laureate. And Ms. Lefrak treats her subject with the due respect of a life which cannot be covered succinctly in 500 words. She delivers a reverent tourists’ view of Grace Cavalieri’s life, hitting the big things: her poetry and work ethic, the passing of her husband, Kenneth Flynn, her conversion to Buddhism, and finally her new tenure as Poet Laureate.