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Home / home / Rose Solari Reviews Three New Collections Exploring History and Identity

Jan 28 2021

Rose Solari Reviews Three New Collections Exploring History and Identity

The WIROB critic tackles collections by Steven Leyva, Miles David Moore, and Stanley Moss in the January roundup

Rose Solari Poetry Reviews

Rose Solari reviews three exemplar new poetry collections for Washington Independent Review of Books. In her ongoing poetry column, Solari takes great care to tie each of the collections she reviews together and the theme this month is history and identity.

From the beautifully drawn New Orleans of Steven Leyva's The Understudy's Handbook, to the WWII of Miles David Moore's Man on Terrace with Wine, and the deep knowledge and reverence for the history of poetry in Act V, Scene 1 by Stanley Moss, these three collections look at the foundations of history, art, love, and identity: "The Ground Beneath their Feet."

Rose Solari keeps a regular column where she reviews poetry for Washington Independent Review of Book. Her last review tackled the Selected Lucille Clifton and Henry Taylor.

Read the full review The Work of Rose Solari

A Stirring Tribute: Carmen Nickerson reads Solari’s “Meditation for my Country” During 9/11 Concert

September 14, 2020

Accomplished singer-songwriter Carmen Nickerson and pianist Kostia Efimov provide an intimate, acoustic set as part of the No Studios unplugged series. 

At approximately 42 minutes into the set, Nickerson pauses to acknowledge the date – September 11th – and pulls out a sheet of paper. The poem she reads is Rose Solar’s “Meditation for my Country.”

Grace Cavalieri Releases New Podcast with Jeffrey Lamar Coleman

September 10, 2020

Grace Cavalieri’s new podcast is off to a strong start. This week’s guest is professor Jeffrey Lamar Coleman, editor of “Words of Protest, Words of Freedom: Poetry of the American Civil Rights Movement and Era.”

Former Student Describes Reuben Jackson’s Jazz-infused Poetry Class

August 31, 2020

Miles Liss, who recently graduated with an MFA in poetry from Vermont College of Fine Arts, reflects on his time taking classes under maestro Reuben Jackson in this short essay.

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