LET THE DEAD IN Receives Glowing Review in Lightwood Press #10
"Agostini’s socially and spiritually aware poetry collection 'Let the Dead In' focuses on the duality between love and hate along with the way that these concepts integrate and clash"
Poet Robyn Hager reviews Saida Agostini's daring first collection let the dead in in the 10th edition of Lightwood. In her review, Hager praises Agostini's social and spiritual awareness as she contends with the violence and oppression facing black people in the United States. Below, read a small excerpt. Read the entire review in Lightwood's new issue here. Order let the dead in here.
Agostini successfully juxtaposes stark images from her life with deeply entrancing metaphors, and most poignantly in her poem "what love is" she compares the images of turmoil she witnesses between her parents with a dead buck on the side of the road whose
flesh ripped/exposing a dark black machine/so soft, stinking and fragile that years/later you’ll remember the risk of loving/something that wild
The author’s ability to display these powerful, and sometimes gruesome, epithets about life shines through in the entirety of her collection.
[Richard Peabody] His Great Feature in The Washington Post
Richard Peabody has spent most of his adult life nurturing and promoting Washington’s literary output. Gargoyle, a thick doorstop of a literary magazine that he has published since 1976, has amassed a list of distinguished contributors, including eight National Poetry Series winners, five National Book Award winners, three PEN/Faulkner winners, three Pulitzer Prize winners, and winners of more than a dozen other honors. And he can count at least 30 former university, Writer’s Center and private creative writing students who have gone on to sell screenplays or publish books, including many with the most prestigious New York publishing houses.
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