LET THE DEAD IN Receives Glowing Review in Lightwood Press #10
"Agostini’s socially and spiritually aware poetry collection 'Let the Dead In' focuses on the duality between love and hate along with the way that these concepts integrate and clash"
Poet Robyn Hager reviews Saida Agostini's daring first collection let the dead in in the 10th edition of Lightwood. In her review, Hager praises Agostini's social and spiritual awareness as she contends with the violence and oppression facing black people in the United States. Below, read a small excerpt. Read the entire review in Lightwood's new issue here. Order let the dead in here.
Agostini successfully juxtaposes stark images from her life with deeply entrancing metaphors, and most poignantly in her poem "what love is" she compares the images of turmoil she witnesses between her parents with a dead buck on the side of the road whose
flesh ripped/exposing a dark black machine/so soft, stinking and fragile that years/later you’ll remember the risk of loving/something that wild
The author’s ability to display these powerful, and sometimes gruesome, epithets about life shines through in the entirety of her collection.
[Elizabeth Hazen] Lessons From a Turtle (Fishbowl)
Lessons From a Turtle by Elizabeth Hazen Once at the National Zoo, I watched a pair of giant tortoises copulating, the sound that emanated from their habitat like a sleeper’s […]
Featured Audio: “Work is My Secret Lover,” a poem by Grace Cavalieri
Grace Cavalieri Reads, “Work is My Secret Lover” The poet Grace Cavalieri is a truly generous friend of poetry and poets. In her writing and all she does her large-minded […]
[Richard Peabody] talks ‘Gargoyle Magazine’ with Buzz McClain
Buzz McClain of Northern Virginia Magazine sat down with Richard and others close to him in order to ask a very important question: What’s next for Richard Peabody?
Founder of the DC-ubiquitous annual magazine, Gargoyle, esteemed editor and writer in his own regard, Richard has recently put out through Alan Squire Publishing a compendium of his work, The Richard Peabody Reader…so, what’s next?