LET THE DEAD IN Receives Glowing Review in Lightwood Press #10
"Agostini’s socially and spiritually aware poetry collection 'Let the Dead In' focuses on the duality between love and hate along with the way that these concepts integrate and clash"
Poet Robyn Hager reviews Saida Agostini's daring first collection let the dead in in the 10th edition of Lightwood. In her review, Hager praises Agostini's social and spiritual awareness as she contends with the violence and oppression facing black people in the United States. Below, read a small excerpt. Read the entire review in Lightwood's new issue here. Order let the dead in here.
Agostini successfully juxtaposes stark images from her life with deeply entrancing metaphors, and most poignantly in her poem "what love is" she compares the images of turmoil she witnesses between her parents with a dead buck on the side of the road whose
flesh ripped/exposing a dark black machine/so soft, stinking and fragile that years/later you’ll remember the risk of loving/something that wild
The author’s ability to display these powerful, and sometimes gruesome, epithets about life shines through in the entirety of her collection.
Grace Cavalieri Featured in New Article, “Making Sense of the World through Poetry”
Grace Cavalieri launches a new podcast in deeply uncertain times. The Bay Weekly covers her story in this short article.
Rose Solari Tackles Frost, Coste Lewis, and Imaginary Landscapes in New Rose Reads
Rose Solari’s style continues to evolve as she tackles more difficult poetic concepts. Hear her speak to poetry and song as “gifts,” detail Coleridge’s writing from a sick bed, remark on Frost’s famous “Directive”, and reminisce on Smokey Robinson in this new episode of Rose Reads.
Grace Cavalieri’s “The Poet and The Poem” Receives Grant From MD Humanities
MD Poet Laureate Grace Cavalieri recieves a grant from Maryland Humanities for her long-running radio program and podcast, The Poet and The Poem.