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Home / home / The American Scholar features Grace Cavalieri’s “Work Is My Secret Lover”

Aug 04 2022

The American Scholar features Grace Cavalieri's "Work Is My Secret Lover"

In this audio-only feature, the Maryland Poet Laureate's poem is read by Amanda Holmes of The American Scholar

Work is my Secret Lover

Phi Beta Kappa's The American Scholar recently featured a beloved poem by current Maryland Poet Laureate, Grace Cavalieri. The feature is audio only and TAS' Amanda Holmes offers her vocal stylings for an introduction of Cavalieri and reading of the poem, "Work is my Secret Lover."

"Work is my Secret Lover" appears in Cavalieri's Other Voices, Other Lives part of Alan Squire Publishing's Legacy Series. Other Voices, Other Lives is a selection of poems, plays, and interviews drawn from over forty years of work by one of America’s most beloved and influential women of letters. The author of 23 books of poetry and 26 produced plays, and the founder of the legendary radio interview program, The Poet and the Poem, Grace Cavalieri has won multiple national awards for her writing and her service to literature.

A Stirring Tribute: Carmen Nickerson reads Solari’s “Meditation for my Country” During 9/11 Concert

September 14, 2020

Accomplished singer-songwriter Carmen Nickerson and pianist Kostia Efimov provide an intimate, acoustic set as part of the No Studios unplugged series. 

At approximately 42 minutes into the set, Nickerson pauses to acknowledge the date – September 11th – and pulls out a sheet of paper. The poem she reads is Rose Solar’s “Meditation for my Country.”

Grace Cavalieri Releases New Podcast with Jeffrey Lamar Coleman

September 10, 2020

Grace Cavalieri’s new podcast is off to a strong start. This week’s guest is professor Jeffrey Lamar Coleman, editor of “Words of Protest, Words of Freedom: Poetry of the American Civil Rights Movement and Era.”

Former Student Describes Reuben Jackson’s Jazz-infused Poetry Class

August 31, 2020

Miles Liss, who recently graduated with an MFA in poetry from Vermont College of Fine Arts, reflects on his time taking classes under maestro Reuben Jackson in this short essay.

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